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Three-day Workshops


This webpage details the Three-day Workshops offered by Southwestern Watercolor Society.  In addition to Three-day Workshops, SWS also offers several One-day Classes.  Details can be found here: Classes


It's going to be a great year!

SWS is delighted to feature the following six artists in our upcoming 2026-27 Three-day Workshop's season!  There is something for everyone - from photorealism to impressionism to abstract expressionism...check the opening registration dates noted on the buttons below, and put a reminder in your phone!

 



Stephen Zhang

Three-day Workshop:
Lively Watercolor Portraits

July 28-30, 2026
Location:  Dallas, TBA
Members:  $395
Non-members:  $425


In this workshop, Stephen Zhang will work with participants on the process for creating lively, expressive watercolor portraits. Participants will explore the foundations, steps, and tools of his approach, alongside the unique thought process that brings a portrait to life. This session is designed for mid-level artists with experience in drawing, portrait, or watercolor who are looking to grow their painting skills in watercolor portraiture.


Register Here April 14!



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Stephen Zhang is an accomplished watermedia artist and design professor known for a fluid, expressive, and empathetic style. Born in China and a graduate of the Luxun Academy of Fine Arts, he earned his MFA from the University of North Texas, where he currently serves as an Associate Professor of Communication Design. His work has earned international acclaim through awards and features in exhibitions by the American Watercolor Society, Transparent Watercolor Society of America, Signature American Watermedia International Exhibition, Watercolor USA, American Illustration, and the Chinese National Art Exhibition. His paintings are frequently highlighted in publications such as Watercolor Artist, American Art Collector, My Modern Met, Creative Quarterly, and International Artist.

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Click here for the Artist's Supply List (As Available)
Click here for the Artist's Supply List (As Available)

Ruth Armitage

Three-day Workshop:

Echo and Iteration:
Building Rhythm, Pattern and Meaning

October 14-16, 2026
Location:  Dallas, TBA
Members: TBA
Non-members: TBA


Discover the beauty and power of repetition as an artistic principle in this 3-day workshop with Ruth Armitage. Through open-ended exercises and exploratory studies, we’ll investigate how repeated marks and variations on a theme can build pattern, surface, and depth of ideas. Repetition can create unity, reveal subtle variation, suggest movement, and bring emphasis and emotion into a painting. By returning to the mark again and again, you’ll uncover new possibilities and richer meaning in your work. Explore how repeating marks, shapes, and lines can create rhythm, pattern, and depth - revealing unexpected pathways into richer, more expressive paintings.


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Ruth Armitage is an abstract painter rooted in Portland’s bedroom community of West Linn, Oregon. Educated as an English teacher, she draws inspiration from the intimate and expansive realms of human experience. Armitage usually begins with a title, which crystalizes her idea. She favors titles that express the the duality between tranquility and tension. Expressive color and line help weave a narrative that can be obvious or mysterious. Ruth writes, “I crave variety in my process, so very few things are constant. One thing that does remain constant is working from a specific idea. I work in a series and keep notes on different facets of that idea. Those notes often become the title of the painting. Ruth's award-winning work has earned her signature membership in the American Watercolor Society, National Watercolor Society, Rocky Mountain National Watermedia, San Diego Watercolor Society, Watercolor West, California Watercolor Association, Northwest Watercolor Society, and the Watercolor Society of Oregon. She was the recipient of the American Watercolor Society’s Bronze Medal of Honor in April, 2023. The Watercolor Society of Oregon has awarded her its Outstanding Service Award. Her leadership brought Oregon into the Western Federation of Watercolor Societies and she spearheaded Oregon’s first exhibition at the Jordan Schnitzer Museum of Art in 2017. You may have seen Ruth’s work profiled on Oregon Public Broadcasting’s “Oregon Art Beat.” Her work has been featured in numerous national and international publications, including The Spring 2024 issue of Watercolor Magazine, Acrylic Artist Magazine, Watercolor Magic, Breathe Magazine and The Palette Magazine. Ruth was honored to serve as a juror for the 2023 National Watercolor Society’s Open Exhibition and has experience judging as part of a panel as well as independently. She enjoys sharing her process by teaching small workshops domestically and abroad, and watching lightbulbs come on in her student’s eyes. Website: RuthArmitage.com Instagram: @ArtistRuthArmitage

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Click here for the Artist's Supply List (As Available)
Click here for the Artist's Supply List (As Available)

Ruth has not provided a supply list at this time.


Matthew Bird

Three-day Workshop:

Lessons in Realistic Watercolor: Still Life

November 10-12, 2026
Location:  Dallas, TBA
Members: TBA
Non-members: TBA


In this workshop, we will paint a modest still life from start to finish, and you will learn my entire painting process as I work through a fully rendered painting. Participants will learn the various techniques I use in painting realism, including creating rich darks, underpainting, wet into wet washes vs. wet on dry, dry brushing, masking, glazing, and more. The focus will be on understanding value and color, establishing form, and creating texture. Students will have access to my full materials list, reference material, and sample drawing. The goal is to learn a lot and enjoy the journey. If you love detail and methodical painting, but have struggled to paint realism with watercolor, this class is for you!


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Matthew Bird is an American painter. Born in Baltimore, Maryland, he graduated with honors from the Pratt Institute of Art in Brooklyn, New York, in 2000. He is a Signature Member of numerous organizations, including the American Watercolor Society and National Watercolor Society where he served as vice president. His award-winning watercolor paintings have been exhibited in juried shows across the United States, as well as in Canada, China, England, Greece, Hong Kong, and Italy. His work is in permanent museum collections as well as numerous private collections. Matthew has been featured in Fine Art Connoisseur magazine as one of “Today's Masters”, American Art Collector, International Artist Magazine, Watercolor Magazine, The Artist's Magazine, The Art Of Watercolour magazine, and the Splash-Best of Watercolor book series. A sought after teacher, Matthew has also been a contributing writer to numerous publications, including Realism Today, Fine Art Today, Artists on Art, and American Watercolor Weekly. Matthew lives with his wife and children outside Baltimore, where he maintains his studio.

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Click here for the Artist's Supply List (As Available)

Andy Evansen

Three-day Workshop:

A Valued Approach to Watercolor

February 9-11, 2027
Location:  Dallas, TBA
Members: TBA
Non-members: TBA

 

There seems to be a never-endinq quest to loosen up in watercolor and it’s probably the most common goal of students. It’s easy to fall into the trap of putting too much into your paintings, and editing out the non-essential whether working from photo reference or painting on location is vital. As I tell my students, what you leave out of a painting is as important as what you put in. Painting loosely doesn't just 'happen', it comes from gaining a comfort level with your skills and materials over time. However, there are techniques that can speed up this process. My workshop will focus on using value studies from the outset to identify the large shapes in a scene. These large shapes provide the artist with opportunities for lost edges when painting in watercolor, which is essential if we are to take full advantage of the medium. Too often the 'found edges', or details, take over the painter's thinking process, and the result is a tight watercolor. We will move on toward color paintings using value studies as our guide, and complete color painting lessons together. Demonstration paintings will be done by Andy to reinforce the lessons. In order to loosen up it is imperative to have a clear vision of what you want to accomplish with your painting and then execute it quickly. This class will give you the tools and confidence to do just that.


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Andy Evansen’s love and aptitude for art goes back to early childhood, and he decided to make a career using the gifts he was given. He began his professional career as a medical illustrator, but that industry soon became reliant on computer graphics, and he realized he missed working with pencils, brushes and paper. Once he began painting, watercolor was an easy choice as his preferred medium, and he found himself attempting to capture the landscape with an economy of brushstroke evident in the work of the British watercolor artists he admired. In addition, he was impressed with the way those artists seemed to capture everyday scenes in such a way that revealed a hidden beauty, subjects that many would simply pass by. A lifelong resident of the American Midwest, this appealed to him a great deal. While he strives for accuracy and a sense of place in his landscapes, he prefers his work to be considered ‘representational’ instead of ‘realistic’… capturing his emotional response to a scene as well as the time and season. He has been featured in many publications and is a sought-after workshop instructor who paints and teaches internationally. He achieved Dolphin Fellow status in the American Watercolor Society in 2025, and he is also a signature member of the National Watercolor Society, the Transparent Watercolor Society, the San Diego Watercolor Society and the Northwest Watercolor Society. In 2022 he was selected as the only international member of England’s Pure Watercolour Society. His paintings have won numerous awards, including the Bronze and High Winds Medals from the American Watercolor Society in New York. He has juried several important exhibitions, including serving as juror of selection for both the American Watercolor Society and the TWSA Exhibitions in 2022; the California Watercolor Association in 2021, the New Jersey Watercolor Society in 2020 and the New England Watercolor Society, Philadelphia Watercolor Society and Red River Watercolor Society National Exhibitions in 2017. You can view his work at www.EvansenArtStudio.com.

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Click here for the Artist's Supply List (As Available)

Carla Gauthier

Three-day Workshop:

Get Your Glow On!

March 9-11, 2027
Location:  Dallas, TBA
Members: TBA
Non-members: TBA

 

Winslow Homer, John Singer Sargent, William Turner – the masters of watercolor – could all make color GLOW, as if the light was coming from the paper itself. They did it with just a few basic colors, because they understood that illusion of glowing light comes from the particular temperature, value and intensity of colors. In this workshop we will do a group project that breaks down steps to isolate and prioritize the light in our photo reference, and then learn to paint it accurately, adjusting to your color preferences and key along the way. Join us to learn key points to painting light whether you work in the studio or en plein air!


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Although I concentrated on drawing and printmaking in university, I have worked in watercolor as a mature artist and sought out workshops, books, videos to advance my skills, and have been lucky to have learned from some of the very best in this media. F&W Publications Splash 9, 12, 14, 16, 19, 20 books, the Splash 21 and Splash 23 Publication. These books have been jurying contemporary watercolors, using the artist’s words, colors and techniques to inspire other painters. Teaching art has also been a big part of my career as an artist and am happiest teaching adults in a more personal, individual way, concentrating on watercolors. Over the years, I have worked from photographs in studio and enjoyed painting “plein air” – painting landscapes and cityscapes outdoors, reacting to the ever-changing light and weather conditions. These two methods feed each other – the studio paintings teach me detailed technical skills, while the outdoor work forces faster, more reactionary techniques. My paintings benefit from each of these. I move from one subject to another, but the common denominator in all my work is the sense of light. Early morning, through the fog, backlighting, candlelight - it all captures my eye, and inspires every time!

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Click here for the Artist's Supply List (As Available)
Click here for the Artist's Supply List (As Available)

Iain Stewart

Three-day Workshop:

Fearless Watercolor

April 13-15, 2027
Location:  Dallas, TBA
Members: TBA
Non-members: TBA

 

In all my workshops I like to try and cover subject matter you will find useful as you move through your painting journey. Dramatic skies, water in different forms, landscape, and the urban environment including entourage, people, cars, boats, etc. For me at least, I teach the way I would enjoy being instructed.  I want my students to understand my decision making process and why I make certain choices when working. I demonstrate wet on dry, wet in wet, dry brush, basic and complex washes, as well as how to break down complex forms into their most basic geometry and build from there...My thought process is to give the students a well rounded understanding of how I approach as many different subjects as possible which will allow them to try these techniques on their own long after the workshop is over...I believe creating an environment where the students feel relaxed and comfortable is key to letting them find what they have to say. We all have a unique inner voice. I try to demonstrate the importance of that and how valuable it is in creating artwork that speaks to others.


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Iain Stewart is a Scots born watercolor artist and a signature member of the American and National Watercolor Societies among other state and international entities. He has also recently been inducted into the Whiskey Painters of America. 

His work has received numerous awards in international competition and hangs in many corporate and private collections.


Iain is a sought after watercolor instructor and juror with works published in numerous books and periodicals. In 2021 his first book on painting; En Plein Air- Light and Color, was published. In 2025 his 6th Instructional Video. Painting Venice was published. In 2025 he will serve as juror of selection for both the AWS and NWS-chair.


Iain maintains a studio in Opelika, Alabama, and in addition to gallery work, is an Architectural Illustrator with an international clientele and has taught watercolor and design drawing at Auburn University where he received his degree in Architecture.  


Iain is an International Brand Ambassador for:

Escoda Brushes

Daniel Smith Watercolors

Stillman & Birn Sketchbooks

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Click here for the Artist's Supply List (As Available)
Click here for the Artist's Supply List (As Available)

Iain has not submitted a supply list at this time.


A $100 deposit is required to reserve a place in our Multi-Day Workshops. The balance is due 30 days prior to day 1 of the workshop.

WORKSHOPS POLICY:



Workshop enrollment is typically limited to a maximum of 20 participants. Reservations are accepted in the order in which they are received. Wait lists are also formed in the order that requests are received.

A $100 deposit per workshop must accompany the signup to reserve a space. Confirmation of enrollment will be sent upon receipt of the deposit (or full payment). The deposit is non-transferable to any other person or workshop.

Balance of payment is due one month before the workshop start date and if not received by that date, the student may lose his/her place.

*(If you are a member and accidentally register as a nonmember, you will not be able to obtain a refund. Please be aware when you register.)

If you have questions or wish to cancel your registration in a workshop, please contact workshops@swswatercolor.org.

Cancellation/Refund Policy for Multi-Day Workshops


The cancelling member shall contact the Workshop Coordinator as soon as possible to facilitate replacement.  The SWS wait list has first priority over other students who are not on the wait list.

Upon a student’s cancellation of a workshop at least one month prior to the start date of the workshop, the workshop fee is 100% refundable.

Upon a student’s cancellation of a workshop less than one month prior to the start date of the workshop, the entire fee is refundable only if the space is filled and paid for.  If the space is not filled and paid for, the workshop fees are refundable, less the $100 deposit.

Once the workshop begins, there are no refunds for no-shows or withdrawals.


SWS reserves the right to cancel workshops due to insufficient enrollment or other reasons.  If SWS cancels a workshop, applicants will receive a full refund.

If you have questions or wish to cancel your registration in a workshop, please contact workshops@swswatercolor.org.